Archive for » October, 2008 «

Friday, October 17th, 2008 | Author: AbdesSalaam Attar

Civet easily becomes a pet, but stay away from his bottom

Whoever smelled pure Civet for the first time has wondered how such an odor could enter into a perfume bottle. My first impression was the smell of rotten tooth.

It takes some training to be able to understand Civet perfume, one has to overcome the social olfactory programming that make us classify straight away this odor among stenches.

An infinitesimal dose of Civet can double the longevity of short lived fragrances, and although being in amount so little as to be subliminal, it also confers to fragrances a new olfactory dimension, the animal one, and our instinct recognizes it immediately.

This is the explanation why the public often prefers the scent that contains civet or other perfumery pheromones over scents who do not have them.

Human sweat can be a very interesting smell to a perfumer. The perfumer smells with an unprejudiced nose, or at least he can recognize the origin of his liking or not certain smells.

Moreover, a perfumer is always attentive to the reactions of people to smells, because his aim is to build scents that people will like (and buy).

Human sweat tells you what a person eats, his state of health and also much about his sexual life. Most of these things we perceive with our animal instinct and it is not intellectualized, but our behavior towards this person is conditioned by these information.

Making perfumes with human sweat has often been contemplated by pervert perfumers. If Civet and Castoreum have such an effect on our instinct, what could human pheromones do for a perfume?

I shall here share my experience in regard of human sweat and natural perfumes.

I always have my natural perfumes and the essential oils at hand, being a perfumer and I have discovered an interesting phenomenon.

If you happen to be in the need of washing your armpits and you are too much in a hurry to do it, you should try to spray a natural perfume. The result is unexpectedly good.

Armpit smell disappears and blends into the perfume which becomes richer and more persistent. The essential oils that compose the perfume have an antiseptic effect and cut drastically the bacterial fauna which is responsible for the smell (see inquest into human pheromones).

Poeple react very positively to such a perfume.

You have both a deodorant and a perfuming effect.

I seems that we have found the best sustainable alternative to animal scents in perfumery.

You can try: Hindu Kush, Tambour and sea wood for a perfect animalic blend with your human sweat.

Write me your feed back, they are most welcome.

Comments:

By Valeria

I’m an aromatherapist and a natural perfume maker. I feel unconfortable to say that I am a perfumist ’cause I’m talking to real ones. I got this experience since last year when I had a kind of inflamation in my left armpit. In view of this fact, I could not use an antibacterial powder that I use since I was a teenager. I went to the doctor who said that I shouldn’t use anything in there. Lucky me! I had the tools “staring at me” and of course, time had come to make it work on my behalf. I made a perfume with tea tree (’cause of its antibacterial function) + lavender + petit grain with a litlle of alcool and clean water and started to use it under my armpit as deodorant. It was awesome! From that moment on I started selling much more perfume than I used to in view of the fact that people reacted in an unexpected way. The same people who liked my perfumes started to love it! And people who didn’t care about them (at least they seemed to) started to pay attention on them, commenting and better than that, buying! Another thing that I had noticed and that you said confirms my theory that perfumes are much better before you take a shower than after this. The scent is stronger and more permanent. Loved to “hear” it. Science and intuition go together! Thanks for it! Valéria
Friday, October 17th, 2008 | Author: AbdesSalaam Attar

New essential oils are just arriving to me from Australia, Eco Sandalwood and Fire Tree.

Australian Sandalwood is precious to me as a substitute to Mysore Sandalwood. Not only a minor quantity is enough to have the top and heart note of Sandalwood in a fragrance, but it costs also a lot less than the Mysore.
It does not have the clean and very special drydown of the Mysore, but this is not very important because the delicate smell of the Mysore sandalwood dry down would be lost in most of the fragrances a perfumer can make, except if he were to use synthetic Santalol in heavy dose.
Australian Sandalwood is farmed, just like the Mysore, it’s availability is anyway limited but one may always buy a few hundred kilos if need be, while this would be very difficult with the Mysore. This is definitly an advantage for a natural perfumer who wants to be ready for big opportunities.
Australian Sandalwood contains more Farnesol than the Mysore, and this molecule can be allergenic, but this problem could appear only if it is used pure on his own.
The Eco Sandalwood does not come from cultivations but is obtained from dead branches of wild trees that are collected by the bushmen.
This Sandalwood essence has a more powerful and longer lasting fragrance, with a Sandalwood note even clearer than the conventional one.
The essence of Sandalwood, like those of many aromatic trees, becomes better with age. Apparently, the essence trapped in the old dead branches has done just that. We can consider then the Australian Eco Sandalwood as the vintage Australian Sandalwood

The Fire tree (Xanthorrhoea preissil) is an aromatic wood so loaded with essential oil that the bushmen use it as matches to light their fires. I have seen the same being done in Afghanistan, where fires are lighted with the oily perfumed Himalayan cedar wood. It burns with a black smoke as if it was soaked in gasoil.

The Fire tree has been defined by Luca Turin as “the most interesting smell of the last years”. It has a very sweet and strong fruity head smell, like apricot and myrtle. This notes goes on unchanged in the heart of the fragrance and it settles down after a day in a delicate and persistent woody fruity bottom smell.
It is indeed an interesting odor and it encounters a nearly universal positive appreciation. I am curious to present it to present it to the students at the next course, just to see how unprejudiced persons work with it.

Comments

By: Andrew
Hello AbdesSalaam Attar,
I found your blog a few weeks ago now and have been reading your articles, they are very informative! I was wondering if I could ask of your help? I am a 21 year old university student studying music in Australia. I have always been interested in cologne and perfume, and about 8 months ago I started going out with my current girlfriend Jennifer, whom I have had feelings for for years. She loves cologne, and as a gesture of my affection for her, I have started trying to make her her own unique scent. I have been researching for about 2 months now, and buying some essential oils here and there. I am starting to develop something that is..well…its ok, but I want to create something trully amazing…and something that will suit her. I understand you run a business from this so please dont think I am trying to obtain your knowledge for free or anything, more just if you can offer any words of advice at all? With no real knowledge of perfumery at all other than titbits of information on each essential oil that I can glean from the internet, it really is rather difficult. To make matters worse, Im keeping it a suprise, so I cant really ask her what oils she likes, other than trying to accidentally have them on me and see if she reacts positively to them (Im still amazed she believed the smell of clary sage was from me cooking eariler that day when I tried to judge if she would like it!)
This email is a bit disjointed sorry, Im actually in a bit of a rush to go into uni, I thought I shoudl send this now though or I will keep procrastinating and never get around to it. Thankyou for any advice you can offer at all :)

Sincerely,
Andrew Galloway

By: AbdesSalaam Attar

Ciao Andrew,
you can get some recipes of traditional colognes from the book of Dussauce:
http://www.profumo.it/internet-documents/books/index_books.htm

Friday, October 17th, 2008 | Author: AbdesSalaam Attar

There is a game going on at www.basenotes.net in which a journalist, Marian Bendeth, interviews a panel of modern perfumers asking them where they would go if they could travel back to the time of their choosing, to meet, chat and co-create with a perfumer of the past.

I am nobody and they would not call me, but I could not stop wondering what I would say myself if the demand was done to me. So I started to imagine where I would really like to go, as a perfumer, and in what epoch. I realized that as a perfumer as well as a person, the place, the date and the person that most of all I would love to meet coincided.
The place is the Arabic Peninsula, the date is 14 hundred years ago and the person is the Prophet of Islam himself.
Before his advent the spirituality of perfume was confined in the temples, kept as a secret by rabbis and priests, in the same way that spirituality itself was the privilege of their casts.
Muhammad (SAS) is the man who said “three things of this material world were rendered dear to my heart, the feminine gender, perfumes and prayer”. He ordered all his follower to use perfume for the Friday prayer, to perfume the dead and to use perfume (natural) as a purification for women following their monthly disturb. His numerous injunctions regarding the use of perfume promoted the culture of the spirituality of perfumes which culminated in the use of scents in the mortar used to build mosques. His well recorded teachings about the medical use of Aromatic materials have been the starting point of Islamic medicine, which is the fount from which our own modern medicine comes, even though as a simple branch and not as a natural outcome of it.

He rendered the use of perfume a religious action for all Muslims, putting directly into their hands what was previously reserved to the religious casts of priests, exactly as he called the people to call directly on their creator without the intermediary of a religious hierarchy. There is not a man in human history that made so much for bringing perfume to all than the prophet of Islam.

The demands on Basenotes are:
• If it was possible to travel back in time to any particular century and decade of your choice to meet your number one inspirational Perfumer:
• Who would you like to meet?
• What specific questions would you want to learn from them?
• If you could bring anything back with you, what would that be?
• If you could team up together in that time period, who would you like to co-create a fragrance for?
• If you could bring anything back with you, what would that be?

The person that I would go to meet, of course is the prophet himself, and for this I would renounce all the perfumes of the world.
I would bring back nothing with me, nothing material at all, the record of him would be enough to fill my life, I would have drunk from his light.
I would maybe dare to ask him to make a bespoke perfume for him, but what I would like to learn from him is not about only about perfumes and their meaning, it is justice, righteousness, truth and reality.

Friday, October 17th, 2008 | Author: AbdesSalaam Attar

The mysterious and mythic instrument of the perfumer, how to build it, explained step by step and illustrated with pictures.Foldable, easily transportable for working travels, this organ totally innovative is likely to become the model to all perfumers.

http://www.profumo.it/aromaterapia/Corsi/youtube_perfume/perfumer_organ.asp

Friday, October 17th, 2008 | Author: AbdesSalaam Attar

I received a request of help for a TV shows: what about cooking eggs with Ambergris?
An English cook (are the 2 words compatible for a French man) “recreates” dishes from the past and the show “culminates in a lavish feast”.
I do not like at all the “lavish feast” part. I just returned from Africa and hold god given food in too high a respect for appreciating it being made a show of waste for the rich.
I have seen in all my years of travelling before becoming a perfumer that humanity is divided in 2 parts: one part has problems for eating, and the other part has problems for losing weight.
I am convinced that i
f someone is hungry on earth it is only because someone else is eating his dinner.

Nevertheless, a true perfumer is always a cook as well, and this English trip tickled my French man’s curiosity. I said to my daughters: today I cook something special, the egg with ambergris.

I cooked my egg putting it in a pan with a little bit of olive oil, then I grated some ambergris on it and I covered the pan and let cook at very low fire until appears a white layer over the egg (snowy fried eggs).

We ate the egg and it was as good as usual, being happy a egg from my own happy hens, but the ambergris flavour got completely lost in that dish, and we all were fully deluded.
If that was the dish of a king, it must have been an English king (this is only the opinion of a French man though).
I was so incredulous that I started all over again, with more ambergris and taking care of cooking the ambergris even less.

Well, it is not because I am French, but this English dish is a complete flop.
A good news anyway is that Ambergris eggs seem to loosen your bowels. Was the king constipated?

Still I am opened to another English culinary experience, if someone cares to counsel me something really special.

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Friday, October 17th, 2008 | Author: AbdesSalaam Attar


Men usually prefer woody or spicy or “grassy” accords, while flowery ones are considered to be feminine scents.

My experience with perfume customers has shown me that there is a clear division between men and women scents, but many women prefer men’s perfumes while only a minority of men prefer flowery soft and romantic scents to wear.

The fact that these are sold as women perfumes stops them completely from buying and wearing them.

You would have to travel to middle east to find men wearing Jasmine and Rose perfumes without shame.

I have observed for long the people and their perfume tastes and I remarked that the more macho a man the more woody the perfume he will chose.

Flowery and sweet scents are chosen by men who have a poetical sensibility, who are kind and patient, who cultivate humility and kindness towards others as a virtue.

It is generally believed that women will prefer a macho, but this is not true, many women will value highly the flowery man because he is likely to be a sweet partner in life, trustworthy, loving and faithful.

Macho man with a super ego may seduce because he is likely to conquer his share of the world, but a woman in search of true love will not chose him because she instinctively knows that his energy and ego will push him to feminine conquests as well.

A man may use perfume as a strategy exactly as he uses his dress.

A macho man wearing flowery or a poetic man wearing woody would be irresistible in the eye of many women because their personality would be completed, and they would hold the advantages of both types.

Comments

Rashunda:

Is it also correct for me to assume that one can make a perfume sort of to “balance” a personality? For example, if someone has a very passive personality, a perfume can be designed to help exude more confidence.

AbdesSalaam Attar

You could do a lot of things with perfumes, including making people feel as you wish, but in my philosophy of making perfumes, people are at the core of the process, not as accessories, which means that personalized perfumes are not made by the perfumer but by the person who wants it. He will decide what he likes and the perfume will have the properties that this person realy needs.
As a psychologist or as a medic I could err totally judging that a person needs to be balanced in a way or in an other. The nose never errs. He is your best doctor. He knows what no one else knows about medicine and psychology.
A perfume is done with the nose, a perfume for an other person is done with his nose.
Your knowledge of psychology or medecine will help you to make perfumes, if you also know Aromatherapy and olfactory psychology, but by the end, all what is necessary to make a perfume is the nose.
Personalities are what they are, they cannot be changed. The perfume can certainly help a person overcome a weakness such as lack of confidence as you mention, but only if it has been done with the nose of the person.
AbdesSalaam Attar

Friday, October 17th, 2008 | Author: AbdesSalaam Attar

It is not easy to buy Ambergris even for one who knows it well.

The business is in the hand of very few people who are ready to throw millions of dollars for really big lots. They control the prices and are very fast in travelling to the finding places with the cash payment.
It is a matter of “grab and run”, that often occurs in luxury hotel rooms.
It is certainly dangerous to go around with such big amounts of money, and the life of an Ambergris hunter is surely adventurous and romantic.

Since years I am trying to sneak into the business without much success.
The others are better equipped and the only resource I have is to offer more money than them.
Therefore one should know the price that they offer, and on the other hand it is difficult to buy it too expensive because it becomes then difficult to sell it and you risk being left without money but with plenty of ambergris.
The customers are always the same, Guerlain and some of the biggest perfume houses. The arabs, the Asians and the Japanese are also very big consumers.

I have received an offer for a lot of 1,5 kg (in photo) and this is a reasonable size for me.
The investment is at my dimension and the lot is a single lump. This is important to me because I have observed that the maturation, that lasts for years, occurs in a better way in big lumps than in small pieces.
The problem is that this lot is in Australia and that it is the only country from which the export is prohibited.

I know that the French hunters manage to export it. I called the seller in Australia and he also knows that. Probably he had already contacted the French concurrent and his offer was too low. Then he called me for a better one.
“I don’t know how they do” I confessed him
“Probably they do it quietly” he answered
“Well” I said, “let us do the same, like Crocodile Dundee, after all we are in Australia”.
In the meantime I put the photo online. If someone is interested in the Ambergris business let him call me.

Friday, October 17th, 2008 | Author: AbdesSalaam Attar


Amman, 1990

We were looking at the yachts and sailing boats from the high, it was near Palermo in Sicily.

My small daughter told me: “Papi, I want to buy a boat when I am grown up”.

“It is easy” I replied, “you just have to sell perfumes to the people, and do you know why it is easy? because everybody likes good smells”.

Baba Farid, one of the greatest saints of the subcontinent, ended up his life in a small village of Punjab, Pakpattan.

That was his mission. Other saints were in Dehli or Lahore, two great cities of all times, seats of power and civilization, they had thousands of disciples, and they advised kings and viziers.

He taught, fed and cured backward village folks all his life.

I spent a year or so in Pakpattan, stuck there by destiny as had been Baba Farid, and I had a lot of time for reading and studying the life of the saint.

His were simple teachings for simple people. I remember very well one of his sayings: “do not try to sell to the people what they do not want to buy”.

Our marketing geniuses have turned the problem around for their clients: “make people desire what they don’t want to buy”, but for us perfumers the point to realize is that everybody wants to smell good and to live in a nice smelling environment.

Our job of selling perfumes is much easier than the one of other producers.
There is an Arab proverb that goes like that: “A pious person is like the Perfumer, if he does not give you some perfume, at least you will enjoy his nice fumes.

The corrupt person is like the blacksmith: if he does nut burn you with his fire, at least he will suffocate you with his smoke”.

Friday, October 17th, 2008 | Author: AbdesSalaam Attar

A perfumer who looks for inspiration inside himself is not only necessarily very limited, but he also risks to end up into an ego trip completely incompatible with true inspiration, as by definition inspiration transcends the person who receives it.
I heard Guerlain in an interview saying: “I never “created” a perfume that was not for a woman who really existed and preferably who had a significant importance in my life”.

A real perfume is made for real persons.
The true fount of inspiration for the perfumer is the others, and it is endless.
A perfumer should consider himself as being at the service of others and not as a mythical being worth of admiration.
The worst that could happen to him is to close himself in a world of his own, loosing connection with the reality of the others.
A sound dose of humility is indispensable to be able to progress on the way of learning.

Making perfumes for single persons is practically the only road available to an independent Natural perfumer who wants to learn the art and start the profession. This should remain a constant exercise in the years in order not to loose contact with the normal persons (who are quite different with big customers of fashion and business) and above all in order to continue to receive input of new ideas.

I once told to a musician friend: “you will not be an artist until you make music that cures the people”.
The same is valid for the perfumer; his fragrances should infuse positive emotions, vital energy and restore psychological equilibrium.
This is the new frontier of modern Perfumery, but it is also a return to the antique tradition of the Healer Perfumer. It is called Perfume-Therapy.

Since years I have a form online through which anyone can choose the base notes dearest to his heart and ask me to compose his perfume.
I receive requests for accords that I would have never imagined. These accords are the expression of the deepest desires of the soul. This confrontation with the intimate taste of real persons is a continuous challenge to my professionalism and a constant fount of learning for me.

I would advice all Natural Perfumers to do something of the kind. If you are afraid to ve overcome by the requests just keep the price a bit high.
Friday, October 17th, 2008 | Author: AbdesSalaam Attar

We tend to believe that it is sufficient for a company to appear on a major magazine to pick up customers.

My long time experience matured with the press has shown me that this is not at all the case.
The funniest example is the last one in date, the review of a national Italian mode magazine, “Velvet” of La Repubblica.

This magazine was so kind as to send one of its reporters to one of my Natural Perfumery courses in order to unveil the mysteries of perfume “creation”. In this case I was to compose the “Velvet Perfume” together with their journalist.

The review was published in August and, thing totally unexpected to me they revealed the formula of the perfume in order to “let it smell” with the imagination to their readers.
The article occupied 3 full pages, it was unmistakable, and the journalist had been so kind as to publish our web site, our telephone number and even our address.

One million copies were put on the market and in a few days they were all gone so much that going round to buy a few copies to offer to customers I could not find any.
The magazine ends up in many waiting rooms, hair dressers shops, dentists and so on. The review had then being read by at least a million of Italian people.

The comical of the situation is that there has been just one single person to call us for inquiring about the Velvet perfume, if it was available to buy.

Papers may bring you fame, not customers.
The link to the article is: http://velvet.repubblica.it/dettaglio/Crea-il-profumo-di-Velvet/13762

Category: Natural Perfumery  | Tags:  | One Comment
Friday, October 17th, 2008 | Author: AbdesSalaam Attar


Psycho-Aromatherapy is by Robert Tisserand

The perfumer invites people to smell perfumes, this can be a daily routine.I have a customer who smells the raw materials for his fragrance. I have it tried out by the barman next to my office, I diffuse scents during my didactic conferences. My pockets are always full of perfumes, I do not miss an occasion to spray them on other people’s hands, I leave behind me a sillage that stuns people who do not know me.
A perfumer never has to ask to someone what he thinks of the perfume he has just smelt it is enough for him to observe and read the faces.Facial expressions are infinite, liking, repulsion, appeals to me but I wouldn’t wear it, doubtful, skeptical, intrigued, reminds me of something long ago but I do not know what, reminds me of something that I don’t like.

At the end the expressions are only of two categories: smiling and negative.If the person smiles it means “good”, if the person does not smile she will never buy a scent that will not make her happy, unless she wants to rid of the scent and make a gift to someone.

The only way that we have to understand odors it is to go fishing into our olfactory memories for the emotions to which they are tied. A strange thing that I keep on verifying every day while making people smell scents is that they are not able to give a name to the most familiar aromas when they smell them out of their context or when they do not see the image of the object that emanates it. They say about any citrus that it is the smell of lemon, they cannot guess the name of scents such as chocolate or tobacco, and when I reveal to them the name of the aromas that they cannot name, it is for them like an illumination; True, it was so obvious! They exclaim.
This is because there are no direct connections between our primitive brain, our “crocodile brain “, and the neocortex where the center of language resides.
In order to identify a odor by its name we must first of all remember which emotions have been memorized in our olfactory memory with this smell. From these emotions we can then remember the situations in which they lived, and finally we identify the source of the smell and therefore its name.
It is curious that our mind, so intelligently sophisticated as it is, has to follows such a complicated track in order to give a name to a smell.
This is because our sense of smell has preceded our intelligence, and because in some way it is independent from it.
Friday, October 17th, 2008 | Author: AbdesSalaam Attar

There are different ways to initiate the composing of a new fragrance, but the spirit of it should always be one; “Kodo” the Zen of perfume.
In the Hebrew mystic it is taught that all senses give pleasure to the body while the sense of smell gives pleasure to the soul.
In the Sufi Way, each “state” is associated with a scent, and in the Semitic language the word “fragrant” is synonym to the word “good”, as if every good perfume necessarily comes from a good thing , and every good thing necessarily emanates a good perfume. As a conclusion of this we have the tradition of the “perfume of holiness” that emanates from pious people whose actions are virtuous (good).

A perfumer from the industry has to learn his base notes, their molecular structure, the story of their utilization, their preferred combinations with other ones, their making process and their eventual toxicity.
The Natural Perfumer also has to learn to know his base notes, his ingredients, the notes of his working instrument.
Natural essences are a lot more complex than the singular synthetic molecules used by the industry of mass perfumes.
The essential oil of plants is their vital spirit extracted through a basic process of Alchemy; distillation.

Basic knowledge of Phytotherapy, our ancestral medicine, is indispensable to the knowledge of the essences because the medicinal properties of plants are most often due from the essential oil they contain.
The traditional plant healer is able to understand their curative properties just observing them. Many are the clues; their shape, their growing, their reproducing, their preferred ground, their ideal climax, their reaction to aggressions and their perfume.
The natural perfumer should arrive to this intuitive knowledge, smelling an essence he should understand its medicinal properties. He shall be able to do this only because he will use them daily not only to compose perfumes but also to cure himself, his family and his friends.

In fact, practicing Aromatherapy is a natural conclusion for who composes perfumes with natural raw materials.
Essential oils are material substances to be used in Aromatherapy in drinks, foods or massages, but they are also smells, immaterial fumes, vibrations, and their aromas have on us surprising effects.
Who has not experienced, for instance, that the smell of lemon makes him salivate?
Or lived intense emotions provoked by the smelling odors from his past?
Does not each of us know how much bad smells can disturb us psychologically and how good ones can make us happy, like the aromas of food, of the forest or of the sea?

The natural perfumer must learn the psychological properties of his raw materials, and he can do that only wearing them purposely to observe on himself and on others the effects they produce.
This knowledge cannot be acquired except through personal experience and this could take a long time.
Fortunately a number of people are conducting research in the field of olfactory psychology, and the study their conclusions together with one’s own observations based on personal use of the essences will allow him who threads the “way of Scent” not only to grow rapidly in knowledge, but also to contribute himself with new discoveries, because the field of olfactory research is an unknown ocean still to be explored.

Olfactory research is not limited to the body mechanisms, it explores the infinite of human soul.

Friday, October 17th, 2008 | Author: AbdesSalaam Attar

I just received from South Africa a new essence that is not yet available on the international market of raw material for perfumers.
The bottle had leaked a bit and the wrapping of the parcel was perfumed.
The power of this essential oil is incredible.
Since 2 days my work place and the next room have been invaded by the fragrance of this strange mix of bubble gum and cat’s pee, although I have cleaned everything and thrown out far away the empty package and the inside wrapping.
Do you have present when you enter a room and say: I can smell a mouse?
This is the smell of the pheromone that these animals leave with their urine. It is very parent to the smell of cats urine as well.
The only essence of the perfumer’s palette which has a similar note is a good and real Black current absolute, although much more fruity in body.

This olfactory pollution of my working place has had the good result of allowing me to understand better the smell because from the bottle it is so powerful that it stuns the nose.
It has a definite undertone of Clary sage, which is as well a hormonal essence whose structure is similar to a pheromone.
It also has a slight tobacco note and understanding all this gave me an idea about how to start working (playing) with it.
Although I know that this will not please my wife and co workers who always criticize my “perverted attraction” for all animal scents and for some of the “strange stinking” botanical raw materials.
Every profession has its pervertion, said yesterday my right hand man, yours is about these stinking stuff.
My wife said also: “Do you really like them or is it just for joking? your eyes start shining and you look always so exited when you discover one of these stinking things”.
Who will understand the nose of a perfumer? It smells much more than odors. A perfumer in some ways thinks with his nose, he can conceptulize smells and build with them coherent constructions that appeal to the emotional memories and imagination of others.
It is just a question of training and education, not a great deal in fact, but it is mysterious and with the aura of sacredness to all but him (or her, of course, seing that most of the new generation are women).
Well, this Betuline essence is really something, I could smell that not only with my perfumer training but also with my Aromatherapist nose.
It is difficult to believe it for most people, but a person used to cure with essential oils is able to understand many properties of an essence he never knew before just by smelling it.
Before asking to the producer information about the traditional use of the plant in South Africa I googled it and, not at all surprisingly I discovered that Betuline cats pee smell is used traditionally to increase urine production, to cure kidneys and bladder, and to heal the urinary track.
I shall now research about the hormonal effect, probably for women problems.
Next news about Betuline when I start making a perfume out of it.
Friday, October 17th, 2008 | Author: AbdesSalaam Attar

My search for the real muskdeer scent has carried me in some of the farthest spots of the Hindu Kush but at last I found it from its fount.

I fully understand the need of all perfumers for a sustainable musk scent substitute, but the point maybe is rather about the use of an animal note in our botanical scents, such as Ambergris, Civet, Hyraceum or Castoreum, in order to obtain a perfume with a third dimension.

Like the small machines resembling binoculars through which you look in order to watch 3 dimensional photographs, there are only 2 images in the machine but the vision is truely tridimentional.

All these animal aromatic substances are pheromone molecules and they appeal to our nervous system and to our emotions as no vegetable really does. They do not need to be perceptible in a perfume, it is enough for them to be there. I remember a customer who recognized any tiny amount of rose present in any of my compositions because he hated rose due to some old traumatic memory. In the same way I observed that people recognize straight away in my compositions the ingredients that they particularly like or dislike even if I myself do not even smell it due to the tiny concentration of it.
I understood that our nose is really working like a gas chromatography machine unconsciously and that what we can perceive of a perfume may be very different from person to person. The search for third dimension of perfumery goes through animal scents but the use of them is a hard path, prohibitive high prices, difficulty to obtain and ethical dilemmas. So the first step was hair goat tincturing as a sustainable substitute for musk deer but more can be done.
I myself shall tincture a mutton this week, because yesterday I smelled a very nice powerful one at my neighbours. With a litre or two of alcohol and a big pan I shall rinse it to get his perfume. Mutton smell is somehow sweeter than the one of Billy goat, and certainly more acceptable to most people than civet. Knowing how civet can blend into marvellous perfumes, there is no reason that horse or mutton does not. Just imagine the amount of mutton absolute could be produced as a by-product of wool washing in Australia for instance.
Friday, October 17th, 2008 | Author: AbdesSalaam Attar

There is a clear parallel between music and perfumery, between olfactory and musical melodies, and we shall use this likeness in order to understand better the “why” and the “how” of olfactory education.

Just like music, perfumery is an art and even a major art, being entirely dedicated to one of our senses of perception, the sense of smell.Why is perfumery not taught at school just like music or drawing?Is perchance our sense of smell a minor sense of little importance?Do we perhaps love perfumes less than other civilizations?

School programs offer to all the basis of musical education, teaching the seven notes of our musical scale.

Olfactory education is no less important and to be able to name the scents of lavender and rose is no less important than to be able to name the blue and the red of the color spectrum.

The program that we deisigned is very simple and can be reassumed in one phrase: “how to become a perfumer in 4 moves”.

1.) The Ability to Name Odors: In fact the basis of olfactory education is to be able to name the odors by their names, which is not as easy as it seems. Our primordial sense of smell situated in our “reptilian brain” has little connection with the more evolved centers of language in our brain.

It is really surprising how often people, while smelling the absolute of coffee or the essence of lemon, smile over the bottle, recognizing only the happy memories associated with these familiar smells, without being able to give their names.

The basis and the first step of olfactory education consists in being able to name the scents that surround us. With a special diffuser, we send a sweet perfumed wind to the students and teach them to recognize the names of simple smells like lavender, pine, lemon ecc…

2.) Distinguishing the Components of a Perfume: The second step is to be able to distinguish the different components of a culinary creation or of the essences that compose simple blends such as orange cinnamon, rose lavender hay, ecc…For this course we use the perfumed wind organ, which allows us to combine 10 different essences in all possible combinations.
3.) Scent and Emotion Experiential Exercise: The third step of olfactory education is to develop the capacity to “listen to the soul” while smelling a fragrance, and to become aware of the emotions it produces and of the memories it awakens. The exercise of describing them by words sums up the method, because by wording one conceptualizes, and by conceptualizing one intellectually appropriates the experiences. For this course we use the diffuser “Cube” and familiar essences (lemon, mandarin, clove…) as well as totally new smells from other countries (vetyver, ylang ylang, patchouli…) In this course one learns the basis of the very special language of perfumers, which permits the description of fragrances just as landscapes or scenes are described. If you never heard the worlds “round” or “fresh” or “deep” while smelling such characteristic fragrances, how could you ever describe a perfume or any odor.

The didactical path of these first three steps of olfactory education is directly inspired from the Japanese Kodo, “the way of scent”, the Zen of olfaction.

4.) Team Composition of a Perfume: In the fourth step the students are given a simple and practical perfumer’s kit for children, and they are teamed by two. Everyone will make a perfume for his companion, with the same method that we use in our perfumery courses. At the end of this course every student will keep the bottle of his perfume.
A civilization produces musicians and musical culture only after its sons and daughters have received a musical education in their childhood.

Today, while the scents of nature essential to our psychological equilibrium are disappearing from our modern environment, chemical perfumes are omnipresent in our daily life, ice creams, soaps, cosmetics etc. This has created a confusion in the later generations because their olfactory models of reference are those that industrial marketing have provided for their consumption, the cheapest petrochemical mass products. Only an olfactory education can provide them with the knowledge necessary to apply criterions to the smells that surround them in order to judge their quality or to appreciate fully their beauty.